Bandit's Keep Actual Play

Legend of the Bones is a hybrid of solo Old School Dungeons & Dragons actual play, and dark fantasy audio drama.  A story where the roll of the bones determines all. None shall escape the destiny of bone.

Nat One are a group of British D&D players, most of whom have been playing together for over 9 years. Curse of Strahd is something DM Jenna has been waiting to run for about two years and now... It's finally happening. Jenna (they/them) is using the Curse of Strahd: Revamped coffin-box edition of CoS, with inspiration and advice pulled from /u/MandyMod Reddit post "Fleshing out Curse of Strahd", ideas from DragnaCarta's Curse of Strahd Reloaded and, of course, portraying the story and NPCs in their own unique way. As an ex-teacher with a First Class degree in English Literature and Creative Writing (and almost a PhD in emotion mechanics in the TRPG), you are guaranteed to feel their passion for the craft of storytelling. Nat One's players also have similar backgrounds, with interests in literature, writing, education, development and emerging narratives. Take a look at the cast below: Cast Rebecca (she/her),  (she/her), playing the female Drow Circle of Stars Druid: Eylirae Val'Aonar. Rebecca is playing the young (70) studious daughter of a Priestess of Lolth, so has grown up wihin the matriarchy of the Underdark and left due to personal differences regarding the treatment of men. Andrew (he/him), playing the male Half-Orc Way of the Ancestral Dragon Monk: Friendly "Wee Scrapper" Tiene. Andrew is intentionally playing an unintentional misogynist who believes that women need protecting and that men are much more capable. Tabitha (she/her), playing the female Human Devotion Paladin of Torm: Lady Arabella Thistlethwaite. Tabitha is playing a noble lady who is the youngest of her siblings and expected to be a soldier when, really, she would love to be a lady of leisure. Lauren (she/her), playing the female Aasimar Order Cleric of the Red Knight: Lucia. Lauren is playing the reincarnation of Tatyana whose soul, in this adaptation, actually managed to get out of Barovia and is brought back in. That's not the only surprising thing about her... NPC-ish Players: Gemma (she/they), playing the male Human Vistani College of Swords Bard: Ravi Kovachi. In this adaptation, Ravi is Madame Eva's grandson; a Vistani Guide who leads the group to Barovia in the first place. Would you trust him? Beth (she/her), a larper since childhood with years of roleplaying and monstering experience, will also be coming in later on as Volenta Popofsky - If you know, you know. These episodes have been edited to remove all the long pauses, rules clarification and off-game speak to create a much more comfortable listening experience. This means the episodes are shorter, clearer and easier to follow. Jenna creates the art, thumbnails and records and edits without the use of generative AI (AI SUCKS!). Nat One do not accept requests for commissioned art, as we prefer the things we create to be created by ourselves. Nat One hopes you have a lovely, cosy little time listening to the horrors that will befall these wonderful characters in the world's most notorious D&D campaign: Curse of Strahd

Thirst of Strahd is a cinematic Dungeons & Dragons actual-play series from Str1ker, presenting a dark, sapphic reimagining of the legendary Curse of Strahdcampaign. Drawn into the mist-shrouded land of Barovia, three adventurers find themselves trapped in a realm of gothic horror, dangerous secrets, restless dead, and a vampire lord whose influence reaches far beyond the walls of Castle Ravenloft. As the party searches for a way forward, every alliance, sacrifice, and decision pulls them deeper into Barovia's mysteries. Blending character-driven roleplay, gothic horror, mystery, emotional storytelling, dark humor, and brutal encounters, Thirst of Strahd approaches tabletop roleplaying like an unfolding dark fantasy series. Its story focuses not only on terrifying monsters and cinematic battles, but also on the relationships, personal struggles, and choices of the characters trying to survive them. New episodes of Thirst of Strahd are released every Wednesday at 8:00 AM Central. Welcome to Barovia. The mists are waiting.

Meet Leaflet, a wiki-style notetaking tool for TTRPG campaigns! Leaflet is an online note-taking tool for players, writers, and GMs of TTRPG campaigns, giving users a smarter way to organize campaigns and stories. Easily create Binders to store note pages, and invite others to join and contribute on your current game or next exciting project. As users create notes, the system automatically links related pages together, resulting in a wiki-style view of the entire campaign. Note pages are perfect for characters and NPCs, session recaps, items and locations, quest hooks, plot threads, historical events, and everything else that big campaigns need to keep straight. Plus, when paired with other features like Tracks and Calendars, Leaflet notes become powerful, searchable, and memorable. Features: • Note pages with automatic links • Tracks (clocks) • Calendar and Timeline support • Image-to-Text import • Multitasking • Collaborate with other users • No generative AI and more in development

Mini Warmutt plays multiple solo RPGs, tabletop miniatures and Zombicide. From painting minis to rolling dice in epic quests, exploring games that bring imagination to life, no party required. Join the campaign, one solo mission at a time! Links youtube.com - Youtube channel

Fully Automated is an open source tabletop roleplaying game set in a solarpunk future. Dive into a wild, hard-science post-scarcity future and go on thrilling adventures across Los Angeles in the 2120s! Description The game is meant to allow players to go on street-level adventures in a solarpunk future. If you’re not familiar, solarpunk is a genre adjacent to cyberpunk, but which largely challenges and inverts most of its dominant themes. It envisions a world in which technology and our societies are brought into harmony with nature. It rejects cynicism about the futility of fighting to challenge power structures. In place of themes of scarcity and selfishness, it imagines abundance shared convivially. And in place of a nihilistic view that life is valueless, it imagines not just that every person is priceless, but that personhood can be granted to far more things than just humans. But while it is growing fast, tools for running solarpunk tabletop games are still too few.